I was lost in the Forbidden City in a sea of familiar strangers. Beijing’s vibrant reds and yellows assaulted my eyes. Under the watchful eye of Chairman Mao, whose portrait hovers over the entrance, I traveled to another world. I had never seen such ornately decorated buildings as those at the Forbidden City. Fantastic stone carvings created bridges spanning man-made moats. Gardens blossomed with a … Continue reading Sea of Familiar Strangers
My name is Mia Cai Cariello And I want you to know, I was born in China, Guangxi Province As 吴彩卓 I wasn’t even old enough to know That my own government wanted me to go It would take a year for them to ship me out People would have you believe my life would blossom and sprout That the stars aligned when I was … Continue reading My Name Is…
by Muriel Leung
(Note: This paper is a condensed rewrite of an original piece which is currently 60 pages in length)
The emergence of Asian American poetry as a genre is not without its historical grounds. Asian Americans’ contributions to the radical movements of the 1960s and 1970s eras introduced performance, song, and poetry as forms of protest against injustices towards Asian Americans during this politically volatile time. The social and political materials which informed Asian American experience were later solidified as a new type of genre by the spirit of 1980s multiculturalism in which Asian American writers as well as other writers of color began to gain mainstream appeal. The dramatic shift in social and political visibility played a valuable role in the transformation of Asian American identity discourse as it grew from grassroots arts and political movements to earning the institutional legitimacy of academic scholarship.
A discussion of Asian American poetry as a genre and “Asian American” as an identity is impossible without recognition of its social and political grounding. While these were formidable years that demonstrated the efforts of countless Asian American activists and artists to concretize their presence in the traditionally exclusionary U.S. historical narrative, contemporary Asian American identity discourse acknowledges that this identity is more prone to fracture than union. This is not to say that the works of previous Asian American scholars and activists have failed in their efforts. Rather, in the face of dramatically shifting political and social terrains, Asian American poets are challenging traditional ideas of identity formation, and ushering in new themes and styles of exploring Asian American identity which welcome fragmentation. Continue reading “Dis/assembling Identity: From the Margins to the Page”