By Emma Staffaroni Emma Staffaroni is a first-year Master’s candidate in SLC’s Women’s History program. A ruthless feminist, she slays haters with her pen and then eats them for dinner, covered in cheese. She also enjoys basset hounds, trains, and red wine. Before we left for Manhattan the morning of October 15th, my roommate tossed me a letter from the day’s mail, postmarked from Céline, … Continue reading SHOW ME WHAT DEMOCRACY LOOKS LIKE: A Foreign City Teaches Me Political Dissent
or, “THIS IS NOT A BUDGET ISSUE, THIS IS A CIVIL RIGHTS ISSUE” Today, as reported by Jenn Breckenridge at The Understory, police officers joined protesters inside the Wisconsin State Capitol: From inside the Wisconsin State Capitol, RAN ally Ryan Harvey reports: “Hundreds of cops have just marched into the Wisconsin state capitol building to protest the anti-Union bill, to massive applause. They now join … Continue reading Police join protesters in Wisconsin; Thousands rally in New York
by Muriel Leung
(Note: This paper is a condensed rewrite of an original piece which is currently 60 pages in length)
The emergence of Asian American poetry as a genre is not without its historical grounds. Asian Americans’ contributions to the radical movements of the 1960s and 1970s eras introduced performance, song, and poetry as forms of protest against injustices towards Asian Americans during this politically volatile time. The social and political materials which informed Asian American experience were later solidified as a new type of genre by the spirit of 1980s multiculturalism in which Asian American writers as well as other writers of color began to gain mainstream appeal. The dramatic shift in social and political visibility played a valuable role in the transformation of Asian American identity discourse as it grew from grassroots arts and political movements to earning the institutional legitimacy of academic scholarship.
A discussion of Asian American poetry as a genre and “Asian American” as an identity is impossible without recognition of its social and political grounding. While these were formidable years that demonstrated the efforts of countless Asian American activists and artists to concretize their presence in the traditionally exclusionary U.S. historical narrative, contemporary Asian American identity discourse acknowledges that this identity is more prone to fracture than union. This is not to say that the works of previous Asian American scholars and activists have failed in their efforts. Rather, in the face of dramatically shifting political and social terrains, Asian American poets are challenging traditional ideas of identity formation, and ushering in new themes and styles of exploring Asian American identity which welcome fragmentation. Continue reading “Dis/assembling Identity: From the Margins to the Page”